Sanela Jahić, an emerging Slovenian artist, has documented her work in Passengers from the Absolute to the Relative and discusses the boundaries and dynamics of contemporary painting practices in relation to her mechanical image-making machines. Featuring essays by Urška Jurman, Ida Hiršenfelder and Alen Ožbolt.
Passengers from the Absolute to the Relative was published on the occasion of Jahić's first exhibition in the United States at Appendix Project Space in Portland, Oregon.